Well, it has been years since I’ve written in earnest like this. I think the last bunch of posts came out like
some long held diarrhea. Or maybe I’m
more manic depressive than I realize.
Anyways, while writing about gestalt, emergence, insanity, leaps and
such, I kept thinking back to a book I read years ago. Well, I found The Dispossessed by Ursurla
K. Le Guin at the library and reread it over the last week. Figured I needed more meat to chew on before
I continued spouting off thoughts. And
in the end, I’m really not original, not even all that intelligent. I might not remember where I heard or read
everything, but certain things stick and if I understand the concepts and their
interconnection with other ideas that have moved me, I internalize it. This, I believe, is because my strength is in
seeing connections and patterns, even if it’s between animal rights and
corporations. I’ve always been decent at
strategy games, because I can see the whole and how the parts need to fit
together to achieve a goal. This is not
to say I’m all that organized or systematic in the implementing of
strategy. I really enjoy jigsaw
puzzles. Not that I get the chance all
that often, but when I do pull out a 3,000 piece, or sometimes, even our 4,000
piece puzzle, I get this hungry gleam in my eye that not everybody
understands. But there’s a mental state
of riding the edge that I can easily slip into while puzzling in earnest. The most systematic I get is in deciding to
put edge (ha ha) pieces together first, or focusing on a color, or a grouping
of lines. I purposely disallow myself
from approaching the puzzle in a linear fashion. In fact, once I’ve seen the top of the box
with the picture, I fill it with pieces and then don’t look at the
picture any more. When I see other puzzlers
picking up a piece and comparing it to the picture to figure out where it goes,
I get downright annoyed. Irrational and
rude, I know, but the one-to-one correlation and linear connections is not what
I’m after. I approach puzzling
laterally, in a free association of gestalts.
(I am aware this is also reflected in my free association talking that
accompanies an earnest puzzling session.)
After giving myself some loose parameters such as this particular shade
of green with yellow fuzzy spots, I then try to ‘unfocus’ my brain. Sure, take in the details of shape, the
details of color, the details of lines or other giveaways, but don’t focus on
them. It might be a little slow going at
first, especially with the bigger puzzles, but my mind starts to get momentum
and little gestalts start popping out at me faster and faster. At the height of this mental state, I can be
putting in puzzle pieces at a good clip and not even know what specifically
triggered me to know what it was that signaled to me why each piece went where
it was. Certainly there is a sense of
accomplishment when the puzzle is complete, but what I’m really after and enjoy
is the exercising of that mental ability or mental state of the periphery. Several years ago, I made the connection to
soccer. Before I blew out my knee, I
usually played center mid. My skills
were good enough that my teammates had confidence to make me the go to
player. Having a good sense of where my teammates
were, I usually could create the space, take it and dish the ball off to the
player making the run to goal. Yes, I
had a good sense of the whole, but the connection with puzzling was that I
realized I never really focused, in the literal sense, while playing. While dribbling, you cannot be effective if
you focus on where the ball is. Nor can
you know where the other players are.
Somewhere down the line (pun intended) I had learned to play while
predominantly using my peripheral vision.
That’s why the joy of playing soccer for me was not purely
physical. Soccer was my art. Where I could enter that state of mind of
suspension, where I constantly held the whole in my mind and not focus on the
specifics. The specifics are there, but
like the second dimension, they are just clues to the whole picture. In that state of peripheral suspension, you
are not aware of yourself, your problems, your pain, or your joy. Of course, you slip in and out of the mental
state, but while in it, you are accessing the creative force, that dynamic
reality, and riding that edge, you feel alive.
Meditation comes in many forms.
What’s this all got to do with books? I
think what I’m getting at is what I might bring to the table. When I read good books, I feel very unoriginal. In writing this blog, or in general, a large
part of me questions why I would bother.
It’s all there in Robert Pirsig’s writings. Certainly all there in Frank Herbert’s and
much more that I can’t grasp. It’s also
there in Chesterton, Kierkegaard, Poincare, and certainly Le Guin. Then, I think, there may be those who don’t
see that they are all talking about the same thing, or at least related facets
of a larger whole. Yes, I enjoy the free
associating, peripheral mental state that allows me to connect what I see at
the heart of other people’s writing, but if I’m blogging, this personal
pleasure must not be enough. I guess I
must want to know if others see the connections or if they enjoy having someone
point them out. I guess I’m not all
hermit. So, in light of all that, here
are some choice morsels from Le Guin.
Le Guin wrote The Dispossessed in the 70’s. She may not be the genius that Frank Herbert
was, but she is much more personal and she moves me. In any case, her protagonist is a physicists
who is trying to bridge not only becoming and being, dynamic and static, but a
culture of community (I’m avoiding the word Communism because of its
connotations) and one of capitalism.
“Within
the strict terms of Simultaneity Theory, succession is not considered as a
physically objective phenomenon, but as a subjective one…we think that time ‘passes,’
flows past us, but what if it is we who move forward, from past to future,
always discovering the new? It would be
a little like reading a book, you see.
The book is all there, all at once, between its covers. But if you want to read the story and understand
it, you must begin with the first page, and go forward, always in order. So the universe would be a very great book,
and we would be very small readers…”
“But we
don’t experience the universe only successively,” Shevek said. “Do you never dream, Mr. Dearri?”
“What’s
that got to do with it?”
“It is
only in consciousness, it seems, that we experience time at all. A little baby has no time; he can’t distance himself
from the past and understand how it relates to his present, or plan how his
present might relate to his future. He
does not know time passes; he does not understand death. The unconscious mind of the adult is like
that still. In a dream there is no time,
and succession is all changed about, and cause and effect are all mixed
together. In myth and legend there is no
time. What past is it the tale means
when it says ‘Once upon a time’? And so,
when the mystic makes the reconnection of his reason and his unconscious, he
sees all becoming as one being, and understands the eternal return…”
“But we’re
not babies,” Dearri cut in, “we’re rational men. Is your Simultaneity some kind of mystical
regressivism?”…
“Maybe
you could see it,” he said, “as an effort to strike a balance. You see, Sequency explains beautifully our
sense of linear time, and the evidence of evolution. It includes creation, and mortality. But there it stops. It deals with all that changes, but it cannot
explain why things also endure. It speaks
only of the arrow of time—never of the circle of time…”
“Time
goes in cycles, as well as in a line. A
planet revolving; you see? One cycle,
one orbit around the sun, is a year, isn’t it?
And two orbits, two years, and so on.
One can count the orbits endlessly—an observer can. Indeed such a system is how we count
time. It constitutes the timeteller, the
clock. But within the system, the cycle, where is
time? Where is the beginning or
end? Infinite repetition is an atemporal
process. It must be compared, referred
to some other cyclic or noncyclic process, to be seen as temporal. Well, this if very queer and interesting, you
see. The atoms, you know, have a cyclic
motion. The stable compounds are made of
constituents that have a regular, periodic motion relative to one another. In fact, it is the tiny time-reversible
cycles of the atom that give matter enough permanence that evolution is
possible. The little timelessnesses
added together make up time. And then on
the big scale, the cosmos: well, you know we think that the whole universe is a
cyclic process, an oscillation of expansion and contraction, without any before
or after. Only within each of the great cycles, where we live, only there is there
linear time, evolution, change. So then
time has two aspects. There is the
arrow, the running river, without which there is no change, no progress, or
direction, or creation. And there is the
circle or the cycle, without which there is chaos, meaningless succession of
instants, a world without clocks or seasons or promises.”
“You can’t
assert two contradictory statements about the same thing,” said Dearri, with
the calmness of superior knowledge. “In
other words, one of these ‘aspects’ is real, the other’s simply an illusion.”
“Many
physicists have said that,” Shevek assented… “Can one dismiss either being, or
becoming, as an illusion? Becoming
without being is meaningless. Being
without becoming is a big bore….If the mind is able to perceive time in both
these ways, then a true chronosophy should provide a field in which the
relation of the; two aspects or processes of time could be understood.” …
“But
look here,” said Dearri, with ineffable satisfaction in his own keenness, “you
just said that in your Simultaneity system there is no past and future, only a sort of eternal present. So how can you be responsible for the book
that’s already written? All you can do
is read it. There’s no choice, no
freedom of action left.”
“That
is the dilemma of determinism. You are
quite right, it is implicit in Simultanist thinking. But Sequency thinking also has its
dilemma. It is like this, to make a
foolish little picture—you are throwing a rock at a tree, and if you are a
Simultanist the rock has already hit the tree, and if you are a Sequentist it
never can. So which do you choose? Maybe you prefer to throw rocks without
thinking about it, no choice. I prefer
to make things difficult, and choose both.”
[Being/Becoming.
Static/Dynamic. Zeno’s
paradox. This shouts out Pirsig and
Kierkegaard to me. The next morsel is
one of the best descriptions of the mind acting like a supersaturated solution
crystalizing or taking that leap form a smaller rational circle to a larger one.]
…[Einstein’s]
unified field existed, in Cetian physics, but it existed on terms which he
might not have been willing to accept; for the velocity of light as a limiting
factor had been essential to his great theories. Both his Theories of Relativity were as
beautiful, as valid, and as useful as ever after these centuries, and yet both
depended upon a hypothesis that could not be proved true and that could be and
had been proved in certain circumstances, false.
But was
not a theory of which all the
elements were provably true a simple tautology?
In the region of the unprovable, or even the disprovable, lay the only
chance for breaking out of the circle and going ahead.
In
which case, did the unprovability of the hypothesis of real coexistence—the problem
which Shevek had been pounding his head against desperately for these last
three days, and indeed these last ten years—really matter?
He had
been groping and grabbing after certainty, as if it were something he could
possess. He had been demanding a
security, a guarantee, which is not granted, and which, if granted, would
become a prison. By simply assuming the
validity of real coexistence he was left free to use the lovely geometries of
relativity; and then it would be possible to go ahead. The next step was perfectly clear. The coexistence of succession could be
handled by a Saeban transformation series; thus approached, successsivity and
presence offered no antithesis at all.
The fundamental unity of the Sequency and Simultaneity points of view became
plain; the concept of interval served to connect the static and the dynamic
aspect of the universe. How could he
have stared at reality for ten years and not seen it? There would be no trouble at all in going
on. Indeed he had already gone on. He was there.
He saw all that was to come in this first, seemingly casual glimpse of
the method, given him by his understanding of a failure in the distant
past. The wall was down. The vision was both clear and whole. What he saw was simple, simpler than anything
else. It was simplicity: and contained
in it all complexity, all promise. It
was revelation. It was the way clear,
the way home, the light…
The
moment was gone; he saw it going. He did
not try to hold on to it. He knew he was
part of it, not it of him. He was in its
keeping.
[This last bit moves me.]
Fulfillment,
Shevek thought, is a function of time.
The search for pleasure is circular, repetitive, atemporal. The variety seeking of the spectator, the
thrill hunter, the sexually promiscuous, always ends in the same place. It has an end. It comes to the end and has to start
over. It is not a journey and return,
but a closed cycle, a locked room, a cell.
Outside
the locked room is the landscape of time, in which the spirit may, with luck
and courage, construct the fragile, makeshift, improbable roads and cities of
fidelity: a landscape inhabitable by human beings.
It is
not until an act occurs within the landscape of the past and the future that it
is a human act. Loyalty, which asserts
the continuity of past and future, binding time into a whole, is the root of
human strength; there is no good to be done without it.
So,
looking back on the last four years, Shevek saw them not as wasted, but as part
of the edifice that he and Takver were building with their lives. The thing about working with time, instead of
against it, he thought, is that it is not wasted. Even pain counts.
I am intrigued by the image of 'exercising a mental state of periphery.' You give the example of working a jigsaw puzzle (and I've seen you there), as well as your 'zone' in soccer. Is this simply a physiologic phenomenon, or does the state of periphery also play out in your human relationships?
ReplyDeleteReminds me a bit of the scene in Patch Adams whereby the crazy old math professor holds up four fingers and says "how many?" The right answer requires looking beyond the obvious....
I don't understand what you are saying about time.
ReplyDeleteI do like the Simultaneity/Sequency duality. But do you think that one is more foundational than the other? I think of the notion (as I understand it) that there was no "before" the Big Bang, and I hypothesize that death an immersion into that Simultaneity.
ReplyDelete