“But Gramma, there’ve been dignitaries from other
countries at our performance.”
“I
thought you said you were dancing at the college.”
“I
did,” sighed Shelly, rolling her eyes with impatience. “A lot of important performances are held at
universities.”
Gramma
Utha grumbled something incoherent as she slapped the rump of the goat she had
just finished milking. The goat was bony
but healthy, just like Gramma Utha who had surprising strength in her stringy
sinews. Shelly let go of the goat she
had been restraining. It was uncanny how
those dumb beasts adored Gramma. They
had swollen tits in need of release to be sure, but the way they mobbed her
always struck Shelly as odd.
“Gramma,
I can’t believe you live so close to civilization, or culture, or whatever you
want to call it, and never take advantage of all that goes on—especially at the
campus.”
The
old woman gave her granddaughter a sidelong glance, her fingers working the
goat tits automatically.
“I
can’t believe you live so close to a land such as this and have no clue of its
secrets. Now go fetch me the second
pail.”
Shelly
walked off to the goat shed. Well, it
wasn’t exactly what most people considered a shed. It was just a good size structure made of
wood poles and a corrugated tin roof.
The walls were made of rectangular hay bales while the floor was simply
a deep bed of wood shavings. To a
city girl like Shelly, it was hard to believe the goats could winter in such a
shed. Gramma Utha insisted the goats
were quite comfortable; something about the hay bales breaking the wind and
the composting goat shit keeping the temperature up. That was the thing with Gramma’s farm. Understanding the order of the little
operation required one to get into the old woman’s head. Like the story Shelly heard about her father
(before her parents’ divorce, obviously) when he offered in a goodwill gesture
to chop down the trees that had grown up in the middle of her largest field. Gramma Utha would hear of no such thing from
her son-in-law. Turns out that planting
that incongruous clump of trees was one of the first things she had done when
taking charge of the farm. She insisted
the birds needed a hideout if she was to rely on them to keep her insects under
control.
Shelly
grabbed the pail and returned, ready to renew her plea.
“But
you’ve got to come. It’s so rare that I
perform at home and you’ve never seen me dance on stage. We’re doing it five nights a week for three weeks,
so you can come whenever it’s good for you.”
Something
in the girl’s voice caught Gramma Utha’s attention.
“You
want me to watch you ‘celebrate beauty’, is that it?”
Shelly
winced. “Oh, God. You make it sound so trite, but yeah. Seems like you would be the first to agree
with me that all these people living in our mad-paced society could benefit
from seeing beauty. Forget all the
ulterior motives that bring them to the performance. I want to dance in a way that the beauty will
pierce through all that exterior clutter.”
“That’s
nice. Very nice. And you see beauty?”
“I’m
a dancer, Gramma, not a painter,” came Shelly’s answer, intense and without
reflection. “I hear it. I feel it.”
Gramma
Utha’s fingers uncharacteristically came to a halt as she looked at her
granddaughter. A broad grin spread over
her old face as if impressed.
“Well,
it sounds like you haven’t quite given up on your grandma. Perhaps I shouldn’t quite give up on you
either.”
“What’s
that supposed to mean?”
“I’ll
make a deal with you. I’ll come see you
dance tomorrow night if you’ll come on an excursion one night with me.”
“But
I dance at night—unless its one of my off days.”
“We
would go very late. After your
performance.”
“When?”
“I am
not sure which day exactly, but it will happen before you leave town.”
“I’m
really tired after dancing. And I need
good sleep.”
“No
deal then?”
Shelly
sighed. Then she huffed in defeat.
“All
right. It’s on. Starts at seven tomorrow. I’ll have a ticket for you at the front booth.”
Gramma
Utha went back to her milking with a grunt.
* * *
Shelly
stepped back from where she had been peering out at the audience. She grabbed Greg’s arm in her agitation.
“Girlfriend,”
said Greg. “You’ve been clutching at me
for the last half-hour. You get yourself
wound up and you’re gonna pull something out there.”
Shelly
answered with a puff through clenched teeth, but she did let go of Greg’s
arm. As her dancing partner for the last
two years, Greg wasn’t fazed by her antics.
It was impossible for Shelly not to admire Greg for his physique, which
was impeccable even for his profession, but he was also the only partner she’d
had that never got fed up with her.
Well, at least it was extremely rare.
“She
made a deal,” muttered Shelly, glaring at the clock on the wall.
“Who?”
“My
grandmother. I got her a ticket up
front, but she hasn’t shown up yet. I
told her to be here at least thirty minutes early.”
This
time Greg took her arm, though gently.
He smiled as if laughing at her and pointed out towards the
audience. Down the right center aisle
was a robed figure being led by an usher towards the stage. Shelly’s face turned crimson.
“What
is she wearing?!” she exclaimed as if cursing.
Greg
grinned and shrugged.
An
odd suspicion dawned on Shelly.
“How
d'you know that was my grandmother?”
Greg
raised an eyebrow.
“I
think I’ve spent enough time with you to be able to spot your kin.”
Shelly
returned to her staring. There were a
lot more faces than just hers turning towards Gramma Utha’s direction. She was wearing what could almost have been
considered a bathrobe, only there were several different layers of sheer fabric
draped all along her sleeves. Around her
waist, where a sash would be expected, was a golden chain clasped by a large
golden leaf. But above all, catching the
eyes of nearly the entire auditorium, was the mix of brilliant magentas and
deep blues that ran in thick vertical stripes.
Transfixed, Shelly had to be dragged away to take her position.
Shelly
and Greg had a part in all the larger dances, but just after the intermission
was their brief duo, where the stage was solely theirs. The music was partly composed and partly
arranged by a friend of Greg’s who had this love affair with Tchaikovsky. Their choreography also played with several
themes from the nutcracker suite, which wove them together in a strange but
rather striking symmetry.
Once
dancing, Shelly forgot about all else. She was a stronger dancer than most
women performers, making her a good choice for this duo. Twice she fully supported Greg, his feet not
touching ground for a full measure. And
once she sent him spinning in a three-quarters lift. There was no way she could have truly thrown
Greg, but he was not shy in using her like a springboard, helping him reach a
height impossible on his own. The piece
was relatively short because of its acrobatics.
The two repeatedly leapt away from each other and returned, one climbing
the other as they stretched in muscular arches to entwine limbs and torsos. Both Greg and Shelly’s chests were heaving
for breath when the piece was over and the audience’s response was a good deal
more robust than it had been all night.
Shelly
stole a glance at Gramma Utha. The old
lady was not clapping like those around her, but she was sporting a great big
grin. The couple bowed and pranced off
the stage.
* * *
“Well?”
said Shelly some time later, dressed in her normal jeans and tank top. She had brought Gramma Utha with her to the
back room where there was coffee and some munchies for the performers.
“Thanks
for coming. It was a good night,
too. Greg and I were solid.”
“You’re
welcome,” smiled Gramma Utha.
“And
you are solid,” she added grabbing hold of Shelly’s bare bicep.
Shelly
ignored her.
“But
Gramma, did you have to come dressed up like that?”
“Like
what?”
“Well…like
a clown with wings,” she blurted, pulling at a piece of sheer fabric and
holding it out lengthwise.”
Gramma
Utha huffed.
“Your
partner wears pants that show the outline of his genitals and the contours of
your tits protrude for all to see, and you complain about how I dress?”
“Gramma!”
Shelly exclaimed through clenched teeth.
“I
came to watch dancing and so was attired accordingly.”
Gramma
Utha accompanied her last statement with a twirl, waving her sheer wings out
for a spin. Shelly stared, paralyzed in
the perfect balance of her temper and sense of hilarity. The rest of the room seemed to sense the
tension and quieted. Gramma Utha came to
a standstill, taking in her surroundings.
“I
better go now,” she said wrinkling her nose.
The
old woman headed straight for the door before Shelly could decide how to react,
and was gone.
* * *
It
was about a week later when Gramma Utha showed up again; in the very room
Shelly had last seen her. The
performances were blurred together in the girl’s mind and, for the way she
felt, it could have been the same night her grandmother had attended. Only now the old woman was dressed in black
from head to toe.
“Tonight’s
the night,” grinned Gramma Utha.
“Oh,
Gramma, I’m so tired. Can’t we do it
tomorrow night? We have two days off
after that.”
“Nope,”
came the firm answer. “It’s happening
tonight.”
“What
is?”
“Deal’s
a deal,” was all the old woman said.
Shelly
rolled her eyes.
“Has
anybody ever told you you’re weird, Gramma?”
Gramma
Utha shrugged.
“Look
at the way you dress. I mean, hell, the
locals here have a heyday laughing about there being fairy blood in you.”
Gramma
Utha’s chin went up, but her smile was thin.
“Well, that’s a compliment.”
“That’s
a way to end up in the insane asylum pronto,” snorted Shelly.
Before
the girl knew it, Gramma Utha was right in her face.
“Might
as well tell me to go to hell, girl,” said the old woman.
Her
eyes bore into Shelly’s and the girl could have sworn her grandma’s ears were
pulled back. Shelly retreated to relieve
the pressure of proximity.
“Take
it easy, Gramma. Don’t get so edgy about
that asylum bit. You just have your way
of being abnormal.”
Gramma
Utha closed the gap between them, her eyes bristling.
“What
gives you the idea that you can look down at the world from your pedestal?” she
said, each word sharp and enunciated as if she were holding back a volcanic
eruption.
“Your
dancing ability?”
Her
black, leather boot tapped Shelly’s striped, running shoe.
“Your
brawn?”
Gramma
Utha grabbed Shelly’s bare arm in a vice grip.
Shelly yelped in fear and pain, still retreating as the old woman
advanced.
“Your
brain?”
Gramma
Utha thumped the girl on the temple with a dirt-encrusted forefinger and Shelly
finally was brought to a halt by a wall.
The old woman looked the girl up and down with disdain and then, shaking
her head as if regretting what she had to do, spat. Shelly looked down and could not believe it
when she saw a solid glob of phlegm.
Something popped inside and she drew in a sharp breath. Her eyes narrowed to slits and her fingers
curled into fists. She was practically
yelling when she found her voice.
“I
don’t care who you are. You can’t…”
She
never saw it coming, but Gramma Utha’s left hook caught her square in the
nose. Both blood and vertigo came at
once and she slid down the wall till she was squatting on the floor. The entire room had frozen, enrapt in the
small, soft moan that escaped from Shelly.
Even Gramma Utha seemed frozen, staring at the crumpled figure at her
feet. But she was the first to
recover. Pulling out a red bandanna from
her pocket, she thrust it at Shelly’s nose.
Her other hand reached down and grabbed the girl’s wrist. Shelly could not believe the strength in
those old arms and found herself being forcefully pulled to her feet.
“A
deal’s a deal,” muttered Gramma Utha loudly and hurriedly shuffled her
granddaughter out the building.
Minutes
later Shelly found herself in the passenger’s seat of an ancient pickup that
had once been khaki green. Now, between
the mud and rust, it was several shades of brown. She was silent and sullen as she held the
bandanna tightly to her nose. Her
grandmother really was a freak. What was
twice as infuriating was thinking of all the times she had defended Gramma Utha
to the others in her family. Even mother
considered Gramma as an old breed of country folk, incurably out of touch with
the modern world. And a bloody nose was
all the thanks she had gotten. Why had
she even bothered to bridge the gap with this stupid deal? I mean, hell!
She’ll look just splendid tomorrow night dancing with a swollen cherry
for a nose. And where the fat was
Gramma taking her now? she thought as the pickup pulled off onto a dirt
road that bounced its way into a forest.
They
drove for a while as the road gradually began looking more like two footpaths
side by side. Small brush and patches of
grass strummed against the grid that protected the radiator on the front of the
pickup. Gramma Utha slowed at one point
and geared in the four-wheel drive. This
solicited a roll of the eyes from Shelly who shivered, realizing how cold she
was in just her tank top.
“There’s
a dark sweatshirt tucked behind your seat, sweetie.”
Shelly
scowled. Gramma Utha never called
her sweetie. If that was a form of
apology it wasn’t near enough. All the
same, she pulled out the sweatshirt from behind her seat and put it on.
“Where
are we going?” she asked in a muffled, nasal twang.
Gramma
Utha turned her head to answer, but a large dip in the nearly extinct road
recalled her attention.
“Broker’s
hill,” she said finally.
“Never
heard of it.”
“I
know.”
About
ten minutes later they had climbed to the top of a hill where the trees thinned
out. The pickup was making its own path
now and Gramma Utha followed a strip of bare rock till it leveled out. Turning the car off, Gramma Utha got out and
began fumbling with a box that sat in the back corner of the pickup bed. Shelly came over to take the headlamp that
was being thrust at her. The flashlight
looked like it had come straight out of an REI catalog. Gramma Utha was already wearing hers and its
beam was shining on a backpack she was filling with numerous cylinder-shaped
objects.
“What
are those?” asked Shelly.
“Flares,”
came the answer.
“Spelunking
gear and flares?! I swear, Gramma, I
thought you were a luddite.”
“Well,
you thought wrong.”
“What
about the whole fiasco when Dad was trying to buy you a tractor? You totally refused his offer.”
“You
can reject a machine on many basis’s other than that of a Unabomber. With a small operation like mine, I would
rather not deal with soil compaction.”
“If
that’s the truth, why didn’t you tell them?
Mom still thinks you’re ungrateful and stubborn.”
“Well,
I am stubborn—that’s an old woman’s right.
But I did tell them. They just
choose to forget—or probably just don’t believe me.”
Then
she added with a touch of glee. “Come,
let’s go.”
The
old woman led Shelly down the hill a ways where only a few trees grew between
the protruding rocks. Gramma Utha’s
headlamp was directed at one rock in particular that stuck out like some giant
nose. She clambered down next to it and
beneath the stone outcrop her light illuminated the entrance to a shallow
cave. With her characteristic roll of
the eyes, Shelly shook her head as Gramma Utha got down on hands and knees and
proceeded to crawl into the hole. But
the girl said nothing and followed behind, her headlamp lighting up the
movements of the old, scrawny buttocks in front of her. The cave descended quickly, and before long
Gramma Utha lit a flare, setting it to the side of their path. As the floor of the tunnel dropped there was
soon plenty enough room to walk upright.
The two progressed in silence, Gramma Utha lighting a flare every fifty
yards or so.
Shelly
suddenly grabbed Gramma Utha’s arm in spite of herself as an involuntary yelp
escaped her. Her headlamp chased the
fleeting slithering of a shadow.
“Snake,”
she whispered, her light turning to land on her grandmother’s face.
The
old woman squinted and looked away.
“Yes,
child. But we won’t be so well received
if you go on shrieking like that.”
A
horrible suspicion dawned on Shelly.
“You’ve
brought me to see snakes?” she demanded, wide-eyed.
“I
brought you to see beauty.”
“Gramma!” Shelly whispered hoarsely, terrified of
disturbing any more reptiles. “This is not
a fair deal. I mean, there’s probably poisonous
snakes in here.”
“They
all are. But don’t you go ‘unfair-ing’
me. You made me sit in front of an
entire auditorium of vipers.”
“Oh
please,” rolled the eyes.
“You
were not the only one calling me names for what I was wearing,” said the old
woman quickly. “How about Grammy
Whore? Gypsy Slut? Loony Utha, by those who recognized me. That’s a poison for the soul, girl. These critters here will only shrivel your
body.”
Before
Shelly could respond Gramma Utha was walking again. The further they went in, the more snakes
they came upon and the tighter the pressure Shelly felt in her chest. How infuriating her grandmother could
be. She could not believe this insane
woman had the audacity to bring her into such an awful place. This would certainly be the last thing she
ever did with her grandma, she swore—even if they did come out of here alive.
The
tunnel was now rapidly closing in to the point where Gramma Utha and Shelly
were forced to crawl once more. Past the
bony rump in her way, Shelly caught a glimpse of a large room, whose floor
seemed to be shimmering. There was no way
she was going in there. But if Gramma
went on, she’d be left alone. And no
matter how she hated Loony Utha at this moment, she had no intention of leaving
her side.
“No
way, Gramma,” she whispered. “NO WAY!”
Gramma
Utha stopped and turned around on her hands and knees. To Shelly’s shock the old woman looked sad.
“You
remember how I was one of the last people to be seated the other night. You were probably annoyed at how late I was.”
Shelly
said nothing.
“Well,
I was nearly a half hour early, child. I
stood outside of those great, swinging doors, scared to the bone of all those
people inside. I tried a hundred ways to
justify my leaving there. ‘But a deal’s
a deal,’ I told myself.”
Despite
how angry Shelly was, she saw an image of her grandmother trying to gather her
courage as people jokingly whispered not-so-hushed insults at each other as
they passed the paralyzed figure in her flamboyant dress. And it didn’t make her feel any better that
the only thing she remembered saying to her grandmother after the performance
was that she looked like a flying clown.
Not that all that even remotely made this a fair transaction.
“Fortunately,”
Gramma Utha’s voice broke into her thoughts.
“We can’t spare a half hour deliberating here.”
The
two were just about to crawl through the tight passage into the large cavern
when a snake reared up in front of them, its head high off the floor and cocked
back as if to strike. Shelly muffled a
scream, but Gramma Utha didn’t flinch.
It was guarding the room, thought Shelly. Like some demonic sentry before hell. The snake was now swaying right in front of
Gramaa Utha’s face. Shelly had an image
of her dragging her grandmother’s bloated body out of the cave. Then slowly, with the silky speed of a snake,
Gramma Utha’s arm came up, her wrist cocked back, palm curved forward, and
fingers jutting out menacingly. The
silhouette of the arm was a convincing imitation of a snake and the guard at
the entrance fell back and slithered away.
Shelly’s jaw fell open. She was
not sure if what she had witnessed was Gramma Utha charming the snake or
saluting it. The old woman lit another
flare and crawled through the threshold.
Well,
it’s die or die, thought Shelly. Might as well go out next to a human being,
even if she is completely crazy.
She crawled in.
“Raiders
of the Lost Ark,” she muttered as she found herself standing up again,
surveying a sea of snakes. “But without
the protective glass.”
She
was almost getting used to the fear, like a runner who first sets out at too
quick a pace, and whose heart and lungs flounder to accustom themselves. Gramma was lighting flares a good deal more
frequently, providing them with a corridor to a large boulder that she
scrambled up on all fours. Shelly was
right behind her, cursing under her breath to keep herself from
whimpering. Gramma Utha lit three more
flares and set them in a protective triangle around the boulder.
Shelly
spoke up gruffly, not trusting her voice.
“We’re going to sit and watch?”
“Front
row seats,” grinned the old woman. “Try
to think of it as a dance.”
Just
to the left of them, two snakes suddenly rose up out of the slithering
mass. There was a brief moment of
suspended tension and then the two struck at each other, their bodies following
and entwining themselves in a thick spiral.
They pushed back and forth, vying for dominance till they fell over and
were lost in the mass again.
“Dance?”
said Shelly. “That’s called wrestling,
Gramma.”
“Yes. Those were two males. I’m looking for a mating pair, male and
female, like you and Greg.”
“Gramma! Greg is gay as they get. There’s nothing between us.”
“I’m
not talking about your personal lives, silly girl. Greg is not gay when he dances. He is pure yang.”
Shelly
wrinkled her nose, not understanding.
“There!”
said Gramma Utha, grabbing her granddaughter’s arm.
Shelly
looked and saw two snakes rise up like the ones before. Only this time they swayed and circled each
other for a good while longer. When they
struck it was much less violent and Shelly could actually see the process of
how their bodies entwined. Higher and
higher they rose off the ground, their heads circling each other, creating a
longer and longer spiral to support themselves.
They also swayed back and forth, but it was hard to tell if it was a
matter of catching their balance or a struggle for dominance. Then the bodies uncurled from each other yet
remained upright, swaying separately in their own patterns. They struck again and recoiled, repeating the
pattern all over again.
All
right, admitted Shelly. It’s a
dance. I’ve seen it and I’m ready to go.
She
turned to Gramma Utha and was about to speak her thoughts when she noticed the
old woman had fallen asleep with her chin to her chest. It could not have been all that comfortable
and Shelly watched the head bob up and float down, all the while the eyes
remaining shut. Then she noticed the old
lips swell outwards till they broke apart and a small puff of breath escaped. Shelly stared. That sleeping idiosyncrasy was a shock of the
familiar. Her mother always slept like
that. Again Gramma Utha’s lips swelled
and puffed. In fact, her last boyfriend
had chided Shelly on the fact that she slept with the same dramatic
exhale. She had been in a mood and had
taken offense. The whole thing had
cascaded into one of their biggest fights.
Strange thoughts filled her head as she sat amidst the snakes in the
dark cave, lost in the belly of the earth.
She was from the womb that had come from this old creature’s womb. She knew herself to be as ornery as her
grandmother, and she could not help feeling a slight, though reluctant,
respect. Didn’t change the fact that she
most certainly did not want to be alone in this god-forsaken cave.
“Wake
up, you old fart,” Shelly said, shaking a bony arm.
Gramma
Utha’s lids opened slowly.
“Sorry,
sweetheart,” she said sleepily.
Sorry for what? thought Shelly. For
falling asleep? For bringing me
here? For busting my nose?
But
Gramma’s attention was back on the snakes.
There was no pattern, as far as Shelly could tell. Just random spurts of pairs rising up out of
the swirling mass.
“Gramma?”
she ventured after a long while.
“Hmmm?”
“I’m
a lot like you, but I’m also very different.”
“You
think?”
Shelly
huffed, but she pushed on. “What I’m
trying to say is, I sort of get how this is beautiful, but I don’t get why you
are showing this to me.”
Gramma
was no longer looking at the snakes, but held Shelly in her gaze. She seemed to be lost in memory at the same
time.
“Someone
has to remember, child. Someone has
to. Your mother certainly can’t hear
anymore; not after marrying your father.
You’re still young.”
“But
remember what Gramma? Where this cave
is? That we’re all snakes rising out of
the chaos of civilization or something?”
Gramma
chuckled, low and long. “That we’re part
of this,” she said at last. “That we
aren’t here to take care of it like some orphaned pet we take pity on. That this is us. These snakes are what runs in our blood. Not machines.
Not oil. Not even grand thoughts
of religion. Earth, water, nighttime,
snakes. That’s our blood. That’s us; even more than all the great
wonders we’ve built with our hands and minds.”
Shelly
was stunned. She’d never heard Gramma
talk this way.
“I have
no clue what you’re saying, but I sure as hell won’t ever forget this.” Then as an afterthought. “That felt like a prayer—what you just said.”
A
smirk played on the old lips. Then she nodded
slowly as if conceded a point. “What
makes you say that?”
“’Cause
I feel it in my gut—like when someone tells you a deep, heartfelt secret. Maybe it’s just because I’m scared shitless,
but my gut tells me you feel things I wish I could feel.”
“That’s
the nicest compliment I’ve heard in years.
I’m glad I brought you here.”
“Well,
you don’t have to be smug, you old hag,” retorted Shelly, but there was no
venom in her voice. In fact she felt
giddy, like she was about to giggle. “And
can we go before I puke all over the both of us?”
Gramma
Utha smiled. “Fair enough, child. Fair enough.”